Latin America has produced some of the most original and expressive voices in classical guitar history. From Brazil to Argentina to Colombia, the tradition is rich, diverse, and still evolving.
Agustín Barrios Mangoré (Paraguay, 1885–1944)
Often called the «Paganini of the Guitar,» Barrios combined Romantic virtuosity with deep folk roots. His works — including La Catedral, Un Sueño en la Floresta, and Choro da Saudade — remain among the most beloved in the repertoire.
Heitor Villa-Lobos (Brazil, 1887–1959)
Villa-Lobos transformed Brazilian choro, samba, and folk music into a personal classical language. His Twelve Études and Five Preludes are essential studies for any serious classical guitarist.
Astor Piazzolla (Argentina, 1921–1992)
Though primarily known for bandoneon, Piazzolla’s tango nuevo works have been brilliantly transcribed for guitar. Libertango, Oblivion, and Adiós Nonino translate beautifully to the instrument’s voice.
Gentil Montaña (Colombia, 1942–2011)
Colombia’s most celebrated classical guitarist and composer, Montaña elevated the bambuco, pasillo, and porro to international concert stages. His works represent the pinnacle of Colombian guitar composition.
Exploring the Repertoire
If you would like to hear this repertoire performed live, Andrés David Arcila brings these composers to concert stages internationally. Contact him to book a recital for your venue or festival.